‘The Word Is Camp’: What to Know About the Inspiration for This Year’s Met Gala, as Explained in 1964 (2024)
The annual benefit for the Metropolitan Museum of Art’s Costume Institute is as high-fashion as fashion gets — but this year’s Met Gala, on Monday night, will bring a heavy dose of low culture to the red carpet. After all, the gala’s theme celebrates the opening of its exhibition Camp: Notes on Fashion, and that interaction of high and low is key to camp’s spirit.
While the origins of camp can be traced back to the reign of the French King Louis XIV, the inspiration for this show is much more recent. The modern camp aesthetic was solidified in the 1964 Partisan Review essay “Notes on ‘Camp'” by the American critic Susan Sontag.
The essay first appeared that fall, and didn’t take long to grab mainstream attention. Case in point: That December, TIME’s “Modern Living” section explained to readers why everyone was suddenly talking about camp:
The essay launched Sontag’s career as a literary critic, in which “she argued for a more sensuous, less intellectual approach to art,” TIME noted in her obituary, when she died in 2004 at the age of 71. “It was an irony lost on no one, except perhaps her, that she made those arguments in paragraphs that were marvels of strenuous intellection.”
“Notes on ‘Camp'” not only launched her career, but also it launched a new way of thinking. It fit right in with the spirit of the ’60s, an era known for new ideas and the breaking down of taboos. As TIME noted in 1964, when it came to camp, this phenomenon was particularly true in terms of sexuality. Camp was not gender or sexuality specific, Sontag argued, but the aesthetic had been embraced by the LGBTQ community as a way to “neutralize moral indignation” by promoting a playful approach to that which others took seriously.
Which was not to say Sontag didn’t take camp seriously.
“Seriousness was one of Sontag’s lifelong watchwords, but what she sometimes dared to take seriously were matters that educated opinion, as it emerged from the cramped quarters of the 1950s, dismissed as trivia,” TIME wrote in her obituary. “At a time when the barriers between high-and lowbrow were absolute, she argued for a genuine openness to the pleasures of pop culture.”
At the time, however, some were worried that coverage in a mainstream publication like TIME would spell the closing of camp’s fun. “By publishing your recent analysis of ‘Camp,’ you have ensured that Camp will no longer be Camp, if you see what I mean,” one reader argued in a letter to the editor, while another argued that “‘Camp’ is here to stay.” Fifty-five years later, on camp’s big night, it’s clear that the latter was right.
For more current examples of “camp,” see TIME’s illustrated guide.
What Is Camp? The Met Gala 2019 Theme, Explained (NYT ) In 1964, Susan Sontag defined camp as an aesthetic “sensibility” that is plain to see but hard for most of us to explain: an intentional over-the-top-ness, a slightly (or extremely) “off” quality, bad taste as a vehicle for good art.
CAMP: A sensibility that revels in artifice, stylization, theatricalization, irony, playfulness, and exaggeration rather than content, as Susan Sontag famously defined the term in her short essay, "Notes on 'Camp.
In her essay, Sontag defined camp as an aesthetic and outlined its primary characteristics. The second section of the exhibition is devoted to how these elements—which include irony, humor, parody, pastiche, artifice, theatricality, and exaggeration—are expressed in fashion.
a. : a place usually away from urban areas where tents or simple buildings (such as cabins) are erected for shelter or for temporary residence (as for laborers, prisoners, or vacationers) migrant labor camp. b. : a group of tents, cabins, or huts.
What does camp mean? Camp is an aesthetic or expression of “inauthentic visual cues,” says Michael Mamp, an associate professor of Lousiana State University's fashion program and the director and curator of the university's textile and costume museum. In other words, "camp" isn't often intentional.
Camp helps children grow by providing a supervised, positive environment that has safety as a primary commitment. Camp professionals have enormous power in conveying simple teachable moments . . . special moments of passing experiences touched by the human spirit.
On social media, the term "camp" can refer to a particular aesthetic or style characterized by being deliberately exaggerated, theatrical, ironic, and often kitschy/over-the-top.
A theme camp may provide art supplies and provide a space and opportunity for people to come explore their inner artist, or the theme camp may have a bunch of musical instruments for people to explore their inner musician and experiment with others in making music. Art, Play, and Interaction.
For example, drag shows, the gay "accent," and cult films popular within the LGBT community such as The Rocky Horror Picture Show are examples of camp.
The Met Gala or Met Ball, formally called the Costume Institute Gala or the Costume Institute Benefit, is an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute in Manhattan, New York, USA.
camp meeting, type of outdoor revival meeting that was held on the American frontier during the 19th century by various Protestant denominations. Camp meetings filled an ecclesiastical and spiritual need in the unchurched settlements as the population moved west.
The first English definition of the term, which appeared in a 1909 edition of the Oxford English Dictionary, conformed to popular, contemporary notions of camp: “ostentatious, exaggerated, affected, theatrical; effeminate or hom*osexual; pertaining to, characteristic of, hom*osexuals…”
to settle somewhere or have control of a certain area for a period of time. As reporters pitched camp outside their home, the family's political differences became a public concern.
Camp sets up new meanings by synthesizing an original text or cultural artifact and its recontextualized version. In other words, it works parodically. Camp is more complex than simple parody, however. The following textual comparison will demonstrate that Camp extends beyond parody's intellectual synthesis of texts.
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Introduction: My name is Fredrick Kertzmann, I am a gleaming, encouraging, inexpensive, thankful, tender, quaint, precious person who loves writing and wants to share my knowledge and understanding with you.
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